Natalie Haynes – the Women’s Prize-shortlisted author of A Thousand Ships – brings the infamous Medusa to life as you have never seen her before . . . So to mortal men, we are monsters. Because of our teeth, our flight, our strength. They fear us, so they call us monsters. Medusa is the only mortal in a family of gods. Growing up with her Gorgon sisters, she quickly realizes that she is the only one who gets older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know. When, in Athene’s temple, desire pushes Poseidon to commit the unforgivable, Medusa’s mortal life is changed forever. Athene, furious at the sacrilege committed, directs her revenge on Medusa. The punishment is that she is given sharp teeth, snakes for hair, and a gaze that will turn any living creature to stone. Appalled by her own reflection, Medusa can no longer look upon anything she loves without destroying it. She condemns herself to a life of solitude in the shadows to limit her murderous range. That is, until Perseus embarks upon a fateful quest to fetch the head of a Gorgon . . . This is the story of how a young woman became a monster. And how she was never really a monster at all.
Review
Witty, gripping, ruthless -- Margaret Atwood, author of The Handmaid's Tale, via X (Twitter)
The rollicking narrative voice that energises Stone Blind . . . is a voice that feels at once bitingly (post)modern and filled with old wisdom - The Observer
Stone Blind is an exceptionally powerful retelling of Medusa's story, an emotional gut punch of a novel. Haynes brilliantly pulls off the feat of seamlessly alternating humour and heartbreak, creating characters that stay with you long after the novel's end. It is a dazzling achievement -- Elodie Harper, author of The Wolf Den trilogy
With this, her third novel based on ancient myth, [Haynes] has found a way of using all her classical erudition and her vivid sense of the ambiguous potency of the ancient stories, while being simultaneously very, very funny - The Guardian
A fierce feminist exploration of female rage, written with wit and empathy. Haynes makes the classics brutally relevant, and we reckon this one is going to be huge - Glamour
It is no exaggeration to say that Haynes is the modern embodiment of the best of Homer. She is a proper, classic storyteller, whose linguistic skills and wit will have you hanging on every word - Radio Times
Stone Blind is inventive and playful . . . [and] very funny -- Antonia Senior - The Times
Natalie