The moments held in this small book are collated from Surveilling a Crime Scene, a film that examines the materialisation of non-indigenous life on Miriwoong Country. These threads forge a tapestry that recognises ccolonisation not as history but as a continuous and present violence, one that is deceptively ordinary.
The book feautres an essay by novellist and critic Fiona Kelly McGregor.
16.5cm w x 11.3cm h x 1.8cm d / soft cover / 186pp / offset print in black ink / Naveen Printers, New Delhi / October 2024
Surveilling a Crime Scene (the film) was awarded Best Documentary Short at the Sharjah Film Platform 7, and has screened as part of Revelation Perth International Film Festival, Antenna Documentaryt Film Festival, Dharamshala International Film Festival and the Kununurra PIcture Gardens, in addition to numerous exhibition contexts.
The work was supported by the Sheila Foundation's Michela and Adrian Fini Artist Fellowship, the Copyright Agency's Cultural Fund and the Northern Centre for Contemporary Art.
The moments held in this small book are collated from Surveilling a Crime Scene, a film that examines the materialisation of non-indigenous life on Miriwoong Country. These threads forge a tapestry that recognises ccolonisation not as history but as a continuous and present violence, one that is deceptively ordinary.
The book feautres an essay by novellist and critic Fiona Kelly McGregor.
16.5cm w x 11.3cm h x 1.8cm d / soft cover / 186pp / offset print in black ink / Naveen Printers, New Delhi / October 2024
Surveilling a Crime Scene (the film) was awarded Best Documentary Short at the Sharjah Film Platform 7, and has screened as part of Revelation Perth International Film Festival, Antenna Documentaryt Film Festival, Dharamshala International Film Festival and the Kununurra PIcture Gardens, in addition to numerous exhibition contexts.
The work was supported by the Sheila Foundation's Michela and Adrian Fini Artist Fellowship, the Copyright Agency's Cultural Fund and the Northern Centre for Contemporary Art.
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