‘All novels are political and Minor Detail, like the best of them, transcends the author’s own identity and geography. Shibli’s writing is subtle and sharply observed.’
― Fatima Bhutto, Guardian
‘A sophisticated, oblique novel about empathy and the urge to right wrongs’
― Anthony Cummins, Observer
‘An intense and penetrating work about the profound impact of living with violence―Shibli’s work is powerful and this translation by Elisabeth Jaquette is rendered with exquisite clarity and quiet control.’
― Katie da Cunha Lewin, Los Angeles Review of Books
‘This is probably my novel of the year so far.’
― Anthony Cummins, Daily Mail
‘Though Minor Detail initially promises to be a kind of counterhistory or whodunit―a rescue of the victim’s story from military courts and Israeli newspapers–it turns out to be something stranger and bleaker. Rather than a discovery of hidden truths, or a search for justice, it is a meditation on the repetitions of history, the past as a recurring trauma ... For Shibli, the emblematic experience of occupation is the longue duree of ennui and isolation rather than a dramatic moment of crisis.’
― New York Review of Books
‘All novels are political and Minor Detail, like the best of them, transcends the author’s own identity and geography. Shibli’s writing is subtle and sharply observed.’
― Fatima Bhutto, Guardian
‘A sophisticated, oblique novel about empathy and the urge to right wrongs’
― Anthony Cummins, Observer
‘An intense and penetrating work about the profound impact of living with violence―Shibli’s work is powerful and this translation by Elisabeth Jaquette is rendered with exquisite clarity and quiet control.’
― Katie da Cunha Lewin, Los Angeles Review of Books
‘This is probably my novel of the year so far.’
― Anthony Cummins, Daily Mail
‘Though Minor Detail initially promises to be a kind of counterhistory or whodunit―a rescue of the victim’s story from military courts and Israeli newspapers–it turns out to be something stranger and bleaker. Rather than a discovery of hidden truths, or a search for justice, it is a meditation on the repetitions of history, the past as a recurring trauma ... For Shibli, the emblematic experience of occupation is the longue duree of ennui and isolation rather than a dramatic moment of crisis.’
― New York Review of Books
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